BEAUTIFUL BUZZZ

Music

KING HENRY - IT'S NOT U

Music, Original MixAlli LindseyComment

With production credits for artists by the likes of Miley Cyrus, Justin Bieber, and The Weeknd, King Henry is a behind-the-scenes prodigy emerging from the shadows to establish a career defined not by the status of Hollywood VIPs but instead by his own luminous vision. Ahead of his forthcoming multi-track project, King Henry unveils “It’s Not You.” An electronic lullaby punctuated by whispering, geometric synths and narcotic melodies, King Henry succeeds at crafting aural worlds that encompass a warm familiarity. A foxy indie-electronic number with entrancing atmospheres and cozy vocal samples to boot, this winter-ready joint is a melancholic breath of fresh air in an otherwise saturated musical landscape.

BONTAN - BIG KHALIFA

Music, Original MixAlli LindseyComment

UK-based DJ/producer Bontan just unleashed his warehouse-ready romp “Big Khalifa.” A breakbeat gem with a grinding beat and late-night prowess, this frenetic cut is a jungle-inspired universe of electronic tangents. A heavy-hitting scorcher with an unrelenting bassline that moves with a refined urgency, Bontan pays homage to the pioneering nature of afrobeats while injecting it with explosive drops and dense electronic apexes. At once unruly and sophisticated, Bontan’s “Big Khalifa” is a witty thrasher born from chaos and clarity.

RICH DELINQUENT - SADBOI

Music, Original MixAlli LindseyComment

A marriage between alternative pop and future bass, Melbourne artist Rich Delinquent delivers his 10-track album Sadboi. A reflection of his battle with mental health, Rich Delinquent uses deeply-affecting, digital soundscapes to explore the inner workings of his own mind. Each track and transition moves through textured silhouettes while poems and stories unfold through feelings of both pain and delight. His long-range vocal instrument ebbs and flows with bold dance-floor-ready productions designed to meet the project’s tender mantra with an animated confrontation. Rejecting modern genre queues and instead embracing the formless nature of emotion-driven sound, Sadboi is as reflective as it is accessible.

CAPYAC - TAKE ME CLOSER (CLUBZ REMIX)

Music, RemixSara NatkinsComment

Back at the forefront of emerging electronic talent, Los Angeles’s own CAPYAC return with another remix from their recent album CAPYAC FOREVER. Trailing the recent remixes from French producer Anoraak and Dutch outfit Fouk, CAPYAC passes their single “Take Me Closer” onto Mexican alt-pop tandem CLUBZ. A bustling indietronica gem with vibrant rhythm sections, cerebral instrumentals, and sublime robotic vocal edits, this reupholstered version of “Take Me Closer” is a paradigm cut in indie electronic music.

MOODSHIFT - WALK ON WATER

Music, Original MixAlli LindseyComment

Marking their fifth original release of the year, esteemed Stockholm-based trio Moodshift is back with their new single “Walk On Water." The high-octane track immediately kicks off with emotive and infectious vocals paired with uplifting production sensibilities. ‘Walk On Water’ erupts with a driving beat and hypnotizing melody rife with propulsive bass drops and a captivating rhythm. The latest hit is designed for listeners to let loose on the dancefloor and be enveloped in the tunes' vivacious energy centered around flyckt’s spirited vocals. ‘Walk On Water’ makes for another massive addition to Moodshift’s highly-impressive discography. Listen today and watch the “Walk On Water” music video here.

DEKLEYN - OVER AGAIN

Music, Original MixAlli LindseyComment

Sydney pop duo Dekleyn just released their first single of 2021 “Over Again.” As the Australian climate shifts into warmer days with summer on the horizon, Dekleyn’s sound follows suit. This vivacious upbeat anthem is a fizzy pop gem with catchy vocal melodies and sweet-as-candy instrumental rhythms to match. Punctuated with electronic accents, “Over Again” is as dancefloor-ready as it is beach day made. A brilliant inide-pop crossover, Dekleyn proves once again they’re a buzzing force to be reckoned with.

MIDNIGHT POOL PARTY - POTENTIAL

Music, Original MixAlli LindseyComment

Australian duo Midnight Pool Party is back with one of their deepest cuts to date. “POTENTIAL” is a sharp disco track with bouncy basslines and industrial kicks to boot. The track guides listeners in with its low-slung synths before exploding into an infectiously groovy world of nu-disco and future funk. Laser beam accents cascade atop chromatic vocals to create a saucy, sexy, and downright funky world of chic electronic music. “POTENTIAL” is not a track to miss; lace up your dancing shoes and get down with Midnight Pool Party’s latest today.

MACIOUS - CA$INO FT. F.A.R

Music, Original MixAlli LindseyComment

Following their debut collaboration “Take My Light,” Manchester artists Macious and F.A.R join forces once more to unveil their club-ready cut “Ca$ino.” This dancefloor romp is exaggerated with deep synths that effortlessly penetrate an industrial bassline. A high-energy frenzy indeed, Macious and F.A.R maintain full control over the track’s moving parts to create a listening experience that is born from dizzying musical mastery. A warehouse banger with an edgy flow, “Ca$ino” blends contemporary house with experimental sound design to map the blueprint of its greatness.

BLYNE - RANDOMNESS

Music, Original MixAlli LindseyComment

BLYNE makes music to defy the contemporary genre status quo. Inspired by an unsuspecting blend of artists like Aphex Twin and The Beatles, BLYNE distills upbeat pop with experimental electronica. The duo’s new single “Randomness” is a digital dreamscape guided by video game synths and bubbly vocal harmonies. A vibrant listen with witty rhythm patterns nuanced with sweeping crescendos that ebb and flow through syncopated melodies, “Randomness” is anything but arbitrary. Speaking on the track the BLYNE says, “it’s probably one of the most fun and carefree sounding tracks we’ve ever made! We wanted it to sound as if an angry and confused kid is trying to perform the happiest version of a nihilism song. Recording it felt surprisingly easy.”