[TICKET GIVEAWAY] HAZEY EYES ANNOUNCES FIRST HEADLINE SHOWS IN SF, LA, & NYC

It’s twenty-friggin-nineteen y’all, and Beautiful Buzzz is honored to announce that one of our favorite artists to watch, Hazey Eyes, is announcing his first ever headline shows in SF, LA and NYC (dates in March listed below) and we’re giving away tickets yo! We also had a chance to talk with the young legend about everything from finishing college, to tour life, to his favorite gifs.

Known for delicate and emotive singles like "Love Is" and "Some Reason", Hazey Eyes is the producer/artist whose music you’ve probably heard, even if you don’t know him yet by name. His production can be found on the massive Spotify hit "Flare Guns" by Quinn XCII and Chelsea Cutler, and the 22-year-old mastermind, real name Thomas Michel, has cultivated 63 million streams on Spotify alone. That’s why it’s no surprise he’s already landed touring gigs with Shallou and Petit Biscuit and released official remixes for artists like Charlie Puth, Billie Eilish, and Jai Wolf, just to name a few. His latest single "Scars (feat. Yoke Lore)" was the first off his forthcoming EP which arrives March 1st.

Our announcement of these SF/LA/NYC headline shows comes ahead of Hazey’s next single "Hungover You" which is due out on January 30th.

This tour is a game changer for the young artist as he's including a live drummer for the first time ever, adding awesome visuals and an enhanced stage setup with new instruments and of course—new music :) Tom has spent the last year and a half growing as a live performer, and is readier than ever to hit the road again. These headline shows are part of a larger slew of dates which will be announced very soon.

Here at Beautiful Buzzz, we always like to make things interesting, so we’re stoked to be giving away a pair of tickets for each headlining city. Smash this button to enter for a chance to win tix:

HAZEY EYES MARCH 2019 HEADLINE SHOWS:

San Francisco @ Cafe Du Nord - March 4 - Tickets

Los Angeles @ The Echo - March 6 - Tickets

New York City @ Mercury Lounge - March 23 - Tickets

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Without further ado, let’s get into it with Hazey Eyes:

BB: Remind us all, how old are you again?

HE: 22 years young!

BB: Damn, that's young. What're you going to school for?

HE: I go to Drexel University as an Electrical Engineering major—within that I'm a signal processing concentration. Counting down to graduation in June!!

BB: We heard you built some sort of robot piano?

HE: Haha sorta, for my senior design project my team and I are creating a system that takes a piano and vibrate the strings with magnets instead of the traditional hammers. It creates a sound more similar to a synthesizer, but still creates sound using the body of the piano.

BB: Alright...so tell us about this upcoming tour. What cities are you playing in? Are you bringing a robot piano with you?

HE: This tour is three headlining dates in San Francisco, Los Angeles, and New York! There are indeed more dates I'll be playing around these but that's all I'm allowed to say for now. I am unfortunately not bringing the robot piano, but I am bringing an entirely new live set that I'm super excited about.

BB: Do you have favorite spots in any of the cities you're playing in? Any secret Hazey Eyes approved pre- or post-show must-gos?

HE: It's not really a secret, but I never get to experience In-N-Out since I live on the east coast, so I always hit that when I'm in LA. For New York, usually any food truck will do. By the time shows are over I'm super hungry and will eat anything.

BB: Can your fans expect any new music coming in 2019 around the tour?

HE: Yes, definitely. There will be a new single this month and even more to follow that, and the details about that will be released very soon.

BB: Do you ever get homesick on the road? If so, what's your cure for homesickness on the road?

HE: Yeah it gets weird sometimes being in a different city every day, but it makes going home feel fresh every time I do it which is kinda nice. So far I've had to bring homework with me on every tour and nothing gets me back into the Philly/school spirit like a nice coding assignment.  

BB: Do you have any favorite songs to listen to on the road? What about before a show? Any funny pre-show rituals?

HE: I listen to a lot of LANY on the road while I'm traveling and stuff in a similar vein to that—not totally sure why but it hasn't failed me yet. Before a show I listen to some high energy music, whether it be rap or something electronic, just to get in the mood to give it my all during a performance. I don't have any pre-show rituals as of now, but that may change in the future. I like to stay in the moment and just go do it, ya know?

BB: Okay, now for the good stuff...do you have a favorite gif (or three)?

HE: Gifs from the Office are always super effective!

via GIPHY

BB: What's your favorite color?

HE: I like blue.

BB: Pick one: a spaceship or cello.

HE: Hmm I gotta go with the spaceship, have not had the chance to try one out yet.

BB: Pick one: rain or shine.

HE: Shine for sure, doesn't mess up my shoes.

BB: Finish this sentence: "we won't stand for..."

HE: We won't stand for overcooked steak

And there you have it. Catch Hazey Eyes soon in a city near you!

SAN HOLO - SHOW ME

tickets for my album1 tour are on sale now --> http://sanholo.com <3 it on HypeM here: http://bit.ly/lmftg-hypem #SCFirst - “lift me from the ground” is a song i wrote to describe the feeling of meeting somebody who makes you feel like you’re floating. it started out as a little melody I played on guitar, you can still hear it in the first part of the song right after the vocals kick in. I wanted this song to be something with a big drop but not with a typical trap beat that you might expect from me. I’ve been playing this song out live for a while already and it always feels great  follow San Holo @sanholobeats www.sanholo.com www.facebook.com/sanholobeats www.twitter.com/sanholobeats www.youtube.com/sanholobeats www.instagram.com/sanholobeats follow Sofie Winterson www.soundcloud.com/SofieWinterson www.sofiewinterson.com www.facebook.com/SofieWinterson www.twitter.com/SofieWinterson www.youtube.com/SofieWintersonVEVO www.instagram.com/SofieWinterson follow bitbird @bitbirdofficial www.bitbirdofficial.com www.facebook.com/bitbirdofficial www.twitter.com/bitbirdofficial www.youtube.com/bitbirdofficial www.instagram.com/bitbirdofficial ✨

Shaping up to be one of the most influential contemporary electronic producers in the game, San Holo returns with passion and innovation with, “Show Me,” from his celebrated album1. The Dutch producer fuses glistening dance music with indie rock. Layering the electric guitar atop future-bass reverb, San Holo is a pioneer of a new wave of dance music. Breathing organic instrumentation into feel-good, digital production, “Show Me” is set to be a staple in his wildly influential career. This outline of righteously syncopated resonance stands as a testament that San Holo will never settle. Straddling the boundaries of experimental electronic and alternative dance music, “Show Me” is nothing short of stunning. The ever-evolving San Holo’s album1 is available now on all major streaming platforms- join us as we listen to the sounds of history being made with this charismatic manifesto of sounds.

EMMIT FENN - WITHOUT YOU FT. DREW LOVE

Celebrating the echoing soundscapes of indie electronic music, Berkeley-based producer Emmit Fenn returns in an R&B-esque fashion with his latest drop, “Without You” featuring Drew Love. Defined by a slackened cadence and seductive lyricism, the duo showcases a deep sense of synchronicity. Revered not only for his mellow take on dance music, Emmit’s poetic vocals simultaneously stand as a pillar in his signature aesthetic. “Without You” is as tranquil as it is prolific. The silvery outline pays tribute to music that reaches far beyond the influence of everyday electronic production. The echoing lyricism coincides like a yin and yang with the production- giving rise to each other as they aesthetically interrelate. Polished and fluid, “Without You” stands at the apex of indie-R&B. Emmit, Drew, we're listening. 

[PREMIERE] FAR & FEW - GHOSTED

Hailing from the live music capital of the world, Austin Texas’ Far & Few returns drifting with the same wind that blew them into a slew of successes with their latest release, “Ghost.” Having received notoriety from Alison Wonderland, NEST HQ, Diplo & Friends, and Triple J Radio- Far & Few is capitalizing on their recent admiration with a subtle, poised swagger. The southern duo manipulates sounds that extend far beyond Texas electronic production- striking chords by the likes of electro-R&B, indie-electronic, and a distinct resonance unique enough to call their own.  “Ghost” is a take on Stwo’s classic single, “Haunted.” Remaining a deep sense of respect for the original, Far & Few rewired “Haunted” into a looming, sensually-electro framework that exists at the apex of indie production. Unapologetically themselves, Far & Few is fossilizing their legacy one single at time- watch this space.  

WIN AND WOO - CHASING TAIL (MADNAP REMIX)

He claims he is never mad, and never takes naps- quite the conundrum considering his name is Madnap. Tune into his remix of Win and Woo’s “Chasing Tail,” and you’ll get a proper feel of his refreshing, optimistic, awakening energy. A musician named after the perfect contradiction, Madnap leaves a distinct imprint on Win & Woo’s original piece, loosening the feel of a once specifically-tuned framework. Delicate melodies compliment a striking layer of synth production, lengthening the frequencies of the original single. As Madnap continues to release gem after gem, his signature sound becomes more defined, solidifying his position as one of our favorite producers to watch this year. Chill out with this fine flip of “Chasing Tail.”

LIL SKIES - NOWADAYS (SNUGS REMIX)

Despite contemporary rap music being frequently criticized by old-heads for not channeling Tupac and Biggie, today’s take on hip-hop actually works as a curtain call for collaboration and creative restoration. Our favorite little blue booger, Snugs, composed of two multi-talented musicians who manipulate organic electronic production, have returned with their novel remix of Lil Skies’ “Nowadays.” Capitalizing on Lil Skies’ melodramatic flow, and rolling hip-hop cadence, Snugs gives “Nowadays” a vibrant treatment that redefines the mantra of the original piece. Using elements of spacious, radiating synth, the duo repaints the frame of “Nowadays” with pastel colors while lightning strikes between each note. A stellar balance of indie-electronic, and modern-urban flow, this flip is an interstellar rework that bumps with ease. Snugs’ relentless devotion to their craft shines with each release, fossilizing them as one of the most exciting, and cozy acts of the year. Stay tuned for more from our cute little friend, Snugs.

RESTLESS MODERN - THE DEEP END

Chicago's indie electronic producer, Restless Modern  is back with "The Deep End," a striking and formidable indie-electronic track. What sounds like a full-piece band, is actually one multi-talented musician with the dexterity of four artists. In his latest release, "Deep End" we hear acoustic guitar synced with down-tempo, ethereal production. Placid and intellectual, this piece is window pane music as it showcases moments of raw indie-alternative resonance and romantically brooding vocals. "The Deep End" is poetry and rhythm seamlessly translated into audio. Thanks to mellowed-out drops and easy production, this project exudes a natural sense of placidity. Go deep with Restless Modern- stream it now. 

SŸDE - ABOVE THE CLOUDS (FEAT. OLIVIA REID)

Even if you aren’t familiar with SŸDE and their lightly energetic, sweetly melodic, and tribally rhythmic indie-electronic vibes, then there’s still a pretty good chance you’ve heard their massive first single “Orbit” somewhere over the past year. The duo composed of Will and Mitch, two friendly 18-year-olds out of Melbourne, Australia experienced a rare meteoric rise thanks to strong support from Spotify for their undeniable debut hit single in the form of heavy rotation on numerous official playlists. Now faced with the daunting task of following up with a sophomore track, they’ve partnered up with NYC’s Olivia Reid for “Above The Clouds” which showcases a laid back, sing-songy folk-influenced sound. It’s without a doubt SŸDE though, most noticeably in the percussion and guitar work. “Above The Clouds” is a future folk-pop anthem for Generation Z’s increasingly worldly youth. It’s exciting to see these young musicians getting to share their talent with the world, and I can’t wait for more music from them, hopefully soon.

NOAH CYRUS FT. XXXTENTACION - AGAIN (KHAMSIN REMIX)

The world of music is ever-expanding, ever-changing. The power of the internet, and steady increase for music PR has brought unsuspecting artists together to create genre-blending sounds, and unforeseen yet powerful collaborations. An unsuspecting collaboration indeed, Miley Cyrus' little sister, Noah teamed up with the controversial, highly-talked-about rapper, XXXTENTACION to drop their track, "Again." This unlikely duo's resonance traversed the world to inspire French producer Khamsin to bless "Again" with a near-experimental, glitch-dance treatment. Electrifying, and left-of-center, Khamsin is not one to fade into fads, destined to leave a lasting legacy in the electronic music community, he continuously expands his dexterity and taste into uncharted territory. This flip has spooky aromas, and witchy vibes capitalizing on Cyrus' melancholic vocals. Dark, brooding, and bold Khamsin is setting new standards for music. Volume up. Bass up. Repeat. Thanks, Khamsin.