EKCLE - GUIDED LISTENING ADVENTURE 001

UK duo Ekcle is the brainchild of experimental visionaries Harvey Carter and Jack Angel. The twosome embodies the value of wonder through their left-of-center take on dance music. Between syncopated sound design and a righteous disregard to the mainstream, Ekcle is an enigma that need not be solved. Ahead of their first single of 2020 “Pearl Jigsaw,” the tandem put together a guided listening adventure that showcases their off-kilter and charming production style. Despite its various moving pieces, there is something effortless about the offering. A rebellious act against convention, Ekcle are anything but ordinary. Watch this space for the February 6 unveiling of “Pearl Jigsaw.”

IAN MUNRO - MURMUR (MICA REMIX)

Proving to be a full circle tastemaker and curator, Ian Munro follows up his sophomore EP Liminal with a 5-track remix package. Chock-full of vibrantly unique flips, MICA’s take on “Murmur” is a pillar amidst Munro’s hand-selected curtain calls. Manipulating left-of-center sounds with respect to the original, MICA’s remix is an illustrious feat that floats into an industrial-electronic gem. Both calming and intoxicating, each producer can call this unveiling a win. This riveting fusion of sounds is a mere sliver of greatness packed into this experimental-heavy remix EP. Fans of electro-R&B, bass, and indie-electronic can rejoice in this special December offering from Ian Munro.

RAMZOID - WORLD

Weighing in at only 19 years old, Canadian producer Ramzoid’s influence on electronic music has recently witnessed a stunning, upward trajectory. His acute attention to detail, technical dexterity, and innovation breathes new life into experimental dance music. The cutting edge producer just unveiled his latest EP, “WORLD.” This catalog of finely tuned sounds is righteously diverging- both breezy and industrial. The EP’s namesake and intro track, “WORLD” is a stirring joint, tethered together with hip-hop-esque vocals and a fearless, looming melody. The beat’s ebb and flow is distinct, conducive to an unmistakable, musical movement. Controlled chaos dissolves into the gritty sounds of a mute vinyl record, as “WORLD” flawlessly sets the bar for the rest of the EP.

Disclaimer: Ramzoid is promoted by Beautiful Buzzz Staff Writer Hunter Thompson

URCHN - COMPOSURE

From the first 10 seconds of URCHN’s debut single “Composure” I was instantly hooked. Soft muted guitar plucks that drive with a sense of urgency. A nervous percussive shaker sound. A brief flutter that reminds me of a baby dinosaur. My early impression was that I was listening to something I hadn’t quite heard before, and it only gets better as the song continues. Making his debut via Casablanca Sunset, URCHN is the solo project of the Los Angeles-based singer, songwriter and producer Max Greenhalgh. Max is also notably recognized for his work as the front man in the indie pop act Inspired & The Sleep amongst other projects and musical outlets. Cinematic in feel, with thought-provoking lyrics sung in a haunting half-falsetto, URCHN quickly weaves a web of contemplative discomfort on “Composure”. The thoughtful blend of organic and electronic sonic elements, syncopated rhythms, and vocal affectation come together to make this track one of the most compelling debuts of 2018 thus far.

ILO ILO - ROLL W/ CARA BISHOP

Taking the entire music industry by storm with an allusive swagger, ilo ilo returns from the shadows with their latest single, “roll” boasting the crisp, feminine vocals of Cara Bishop- lead vocalist of Austin’s sibling trio The Bishops. After receiving a cryptic message from the mysterious electronic ensemble, and embarking on a 48 hour scavenger hunt around New York City, Instagram user cjohnson1992 documented his exploration around the Big Apple as he discovered clues that would apparently lead him to a final resting place of artistic revelation. After 2 days running around New York City in a Black Mirror-esque fashion, the handsome Instagram user stumbled upon a USB that held ilo ilo’s digitally suave, robust single, “roll.” Leaving the pressure of the offical release on the NYC resident, the intentionally leaked track is a cosmic fusion of digital sounds and feminine prowess. Rising tides of algorithmic production dive into a bass-centric atmosphere radiating a uniqueness defined only by ilo ilo. These pioneers of electronic music leave us with one daunting question- who is ilo ilo? Join us as we become moving parts in their continuous riddle, bound by the mystic creation of music.

[PREMIERE] BJÖRK - SUN IN MY MOUTH (MARCIOZ REMIX)

Artistic, inspired, and seductively allusive, Brazil’s fearless electronic producer Marcioz is back with a brooding remix of Björk’s 2001 single, “Sun in My Mouth.” Rewiring the digital princess is no easy feat, but Marcioz’ inventive aesthetic frames him as the prototype curtain call for flipping Björk. Sensually spooky, Marcioz stays true to the legendary songstress while simultaneously tattooing his algorithmic, electro-production onto her fairytale-esque aura. A vast, microcosmic world of its own is built around calculated instrumentation and true artistry in this flip. Both rustic and futuristic, Marcioz’ signature vision is coming to fruition with ease and innovation- watch this space.

"When I first heard Sun in My Mouth, I immediately thought about adding my style into the piece. I first heard it when I was walking and hearing Vesperatine (which would later become my favorite album). I only heard the beginning of it, because I only wanted to hear it fully once I finished working on my version of the composition. I personally really liked the ending result and thought it was a good way to make a subtle comeback to electronic music composition, but without taking an obvious path towards any genre." - Marcioz 

[PREMIERE] NØLL - ANYMORE FEAT. AIDAN JAMES

Texas’ genre-defying mystic nøll just revealed his digitally enchanting single, “anymore” featuring Aidan James. The first single to release from his debut EP, “anymore” is a dynamic labyrinth of notes and bars working together to cast spells on its listener. Vague trap samples glide atop a down-tempo r&b production, where classically digital electronic music expels outward. The lyricism in “anymore” is defined by a robust vocal ebb and flow, flickering with passion and seductive allusiveness. The future is bright for nøll- “anymore” stands as a palpable  testament that music is nothing short of a calling for this young taste-maker. Experimental and approachable- it’s one you need to feel.

"As a producer, it’s always a struggle to decide what you want “your sound” to be. I’ve decided that the only way to derive that authentically is to base it off what YOU think sounds good. Around this time last year, I became obsessed with acoustic guitar sounds. I knew Aidan, who does cool looping things with the ukulele, and sent him a beat based around this one guitar riff. We both bonded over that organic mix of percussion and live guitar. After he sent me the vocal, I knew I wanted to build an atmosphere that fit the somber vibe. To achieve that, I played around with different foley and glitch samples to build a sonic landscape. I always wanted to juxtapose an experimental soundscape with layered harmonies. For the vocals, I wanted it to seem very much like an internal mental struggle with oneself; much like listening to a devil and an angel over your shoulder." - nøll

GHASPER - LUVN U

Ghasper is a name familiar to many in the electronic music space, particularly among fans of intricate instrumental production and forward-thinking sound design. He just released his debut EP Mima which I listened to all the way through twice on my flight to New York last week, and let me tell you—it is excellent. With eight regular tracks and six bonus tracks, it's really more of an LP, and I'm not complaining.

While it’s difficult to pick a stand-out track, “Luvn U” is one that stuck out for a couple reasons. Percussively, Ghasper utilizes unique rhythmic patterns and sounds that surprise and delight. He allows each primary instrument to feature the melody at different points in the song. Sometimes it’s the chopped vocals, other times it’s the massive side-chained synthesizers, and at times it’s what sounds like a malleted percussion instrument. Each instrument tells its own story, and they work together gorgeously. Do yourself a favor and peep the whole Mima project on Spotify and revel in the talent that is Ghasper.